How Do I Refer To You?
A curatorial approach to expanding ceramics past its materiality.
These works are a curious exploration in the breadth, complexity, and dynamism of the traditional discipline, opening up avenues to its inherent future. With interactive sound work, textile sculpture, glass and metal wielding, video essays and AI generated instructions for wheel throwing, ‘How Do I Refer To You?’ in it’s absence of clay doesn’t entirely renounce the medium, but re-anounces the discipline in a new cultural context.
A curatorial approach to expanding ceramics past its materiality.
These works are a curious exploration in the breadth, complexity, and dynamism of the traditional discipline, opening up avenues to its inherent future. With interactive sound work, textile sculpture, glass and metal wielding, video essays and AI generated instructions for wheel throwing, ‘How Do I Refer To You?’ in it’s absence of clay doesn’t entirely renounce the medium, but re-anounces the discipline in a new cultural context.
Works exhibited at AIRspace Projects In Eora Sydney 2023
Curated by Zane Edwards
Curated by Zane Edwards
CALL : 0291192923
Calling Corfu is an interactive sound sculpture that interprets cultural longing through the immersion of the phone. In collaboration with Niko Plaskasovitis, when an audience member calls the number carved into the limestones’ side, they are greeted with a menu of two options: Pressing 1 for the echo of Ceramic pots smashing at the 2022 rendition of Greek Easter on the island of Corfu, and pressing 2 for sentimental vouyerism of Plaskasovitis’ Grandparents conversing after many years apart. Calling Corfu looks at the phone number as an empty vessel consistently waiting to be filled. This work is still interactive and will be remotely accessed for the rest for the year.
